Bob dylan is captured on screen as he never would be again in this ground breaking film from d. A. Pennebaker monterey pop, company. The legendary documentarian finds dylan in london during his 1965 tour, which would be his last as an acoustic artist and marked a turning point in his career. In this wildly entertaining vision of one of the twentieth century's greatest artists thrust into the spotlight, dylan is surrounded by teen fans gets into heated philosophical jousts with journalists and kicks back with fellow musicians joan baez, donovan, and alan price. Featuring some of dylan's most famous songs, including subterranean homesick blues, the timesthey are a changin', and it's all over now, baby blue, don't look back is a radically conceived and shot portrait of an american icon that has influenced decades of vérité behind the scenes documentariesspecial edition featuresnew, restored 4k digital transfer, approved by director d. A. Pennebaker, with newly restored monaural sound from the original quarter inch magnetic masters, presented uncompressed on the blu rayaudio commentary from 1999 featuring pennebaker and tour manager bob neuwirth65 revisited, a 2006 documentary directed by pennebaker and edited by walker lamondaudio excerpt from an interview with bob dylan in the 2005 documentary no direction home, cut to previously unseen outtakes from don't look backnew documentary about the evolution of pennebaker's filming style, from his 1950s avant garde work to his '60s musical documentaries, including an excerpt from the filmmaker's footage of dylan performing ballad of a thin man during his 1966 electric tourdaybreak express 1953, baby 1954, and lambert co. 1964, three short films by pennebakernew conversation between pennebaker and neuwirth about their work together, from don't look back through monterey pop 1967 and beyondsnapshots from the tour, a new piece featuring outtakes from don't look backnew interview with musician patti smith about dylan and the influence of don't look back in her lifeconversation between music critic greil marcus and pennebaker from 2010alternate version of the film's subterranean homesick blues cue card sequencefive uncut audio tracks of dylan songs from the filmtrailerplus an essay by critic and poet robert politoclick images to enlarge